The Geometry of Suffering

An Anthology of Nightmares

READ THE GEOMETRY OF SUFFERING

SYNOPSIS


Can you feel the resonance? It is the thrum of a heartbeat that should have remained static, a rhythmic pulse defying its own biological expiration.

The Geometry of Suffering” is no mere anthology of nightmares; it is an invitation to breach the threshold where agony transmutes into liturgy, and flesh is repurposed as a raw canvas for transformation.

From the damp, soot-choked alleys of a city that devours its own offspring to ancestral rituals of eternal, parched thirst, this collection dissects the sharpest angles of the human psyche. Here, the monsters no longer lurk beneath the floorboards; they gaze back from the silver nitrate of the mirror, nesting within our own dermis and recalibrating the very boundaries of the real.

Across five sections—navigating from "The First Laceration" to "The Embrace of Terminal Torment"—Omar Escobedo guides you through a cartography of collapse, where beauty suppurates within the most absolute darkness. Prepare your palate for the ferruginous taste of fear and the viscid texture of despair.

Do you possess the audacity to measure the contours of your own abyss?

Read it NOW

NIGHTMARE FRAGMENTS

Click to unleash the horror

  • "His reflection changed.

    The skin of his face seemed to turn translucent, sickly, like wax about to melt. He saw, not a monster, but the void beneath: the architecture of pale bone, the pulsating darkness of the sockets, the lie of that flaccid flesh that covered him like a poorly made, dirty suit. The reflection showed him that his current form was an absence. An abominable, empty husk. 

    The Voice was a vibration emanating from that void, a hum that demanded the husk be broken. It was the gospel of his own nothingness...."

  • "The first sign isn't the sound. It's the pull. Pure physics. A violent spasm of the chassis throwing us forward. Then, the brutal screech. The Cadillac's tires screaming on the wet asphalt. Here we go again.

    I open my eyes. The air is a new perfume, intoxicating and nauseating: rust of broken metal, burnt rubber, spilled gasoline, and the unmistakable hot, sweet, metallic reek of blood. The feast…"

  • “The blade dripped. A dark red... thick as burnt oil, demon's bile, each drop falling with an obscene slowness... an obscene metronome marking the rhythm of my agony. Each drop that hit the dirty, sticky floor resonated in my ears like a hammer blow on a coffin lid. Mine.

    I'm going to die. The certainty was absolute, icy, a shard of ice lodged in my brain, paralyzing all thought, all hope. And I stood there, pinned to the floor, like an insect run through by a pin, exposed, vulnerable…”

  • "Enzo was guided to his position in front of the altar, feeling the weight of the silent stares of the congregation already gathered in the gloom, their silhouettes barely discernible. A chill alien to the temperature ran down his back, prickling the hair on his nape.

    The mirror, which before reflected the scene, now clouded completely, as if a gelid and vast breath fogged it from an unfathomable beyond. The officiant's words became a chant of gratitude, an invocation growing in power, culminating with a name that resonated in Enzo's soul with the force of a primordial blasphemy…”

  • “His face contracted... skin stretching over cheekbones sharpening like blades. The jaw unhinged with an audible crunch, breaking at the symphysis to make way for a snout projecting forward, slavering. Human lips pulled back, tearing at the corners, to reveal bleeding gums where teeth didn't grow: they were expelled in multiple rows, daggers of dirty, yellowish ivory

    The skin of his body—the human husk—began to tear with wet, sonorous rips, like wet cloth. He lost it in bloody shreds that fell to the floor like disgusting offerings…”

© 2024-2025 Omar Escobedo. All rights reserved

Total or partial reproduction of the texts and images on this site is prohibited without the express authorization of the author.